These oil paintings are shaped by early motherhood and a shifting point of view.

Everyday objects seen from a low horizon — where attention, scale, and meaning begin to change.

During the first years of motherhood, my focus gradually moved inward — toward the quiet, intimate space of everyday life at home.

This series grew out of observing ordinary household objects that became central within this new rhythm.

What defines these works is their perspective.
The compositions are built from the visual point of view of a crawling infant — a low horizon that reshapes perception, just as a mother’s daily rhythm subtly reorganizes around the needs of her child.

From this angle, familiar objects shift in scale and presence.
Things that usually go unnoticed begin to carry weight, attention, and quiet significance.

The paintings use bright, clear colors, echoing the visual world of early childhood — toys, surfaces, and first sensory impressions.

Rather than illustrating motherhood, these works reflect on perception itself:

How do space and meaning transform when seen through a different body?
What happens when attention slows down and reorients toward the immediate and the close?